«Veue et perspective de la Gran Piece d´Eau ey d´Orangerie du Chateua de Meudon» Dib.y grabó Pierre Aveline (París,1656-1722).

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View of the pond of Chalais and the Orangery of the Chateau of Meudon. Pierre Aveline the Elder. Paris, 1656-1722.

Reference 436

State: Normal (with signs of normal use)

View and perspective of the hexagonal pond of Chalais and the Orangery of the Chateau of Meudon. Delineavit and etcher: Pierre Aveline, the Elder. Plate size: 21,7x31 cm. It is mounted on paper at an early date. It has some restoration on the bottom left-hand corner that can be seen in the picture. It slightly affects the image.

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View of the pond of Chalais and the Orangery of the Chateau of Meudon. Pierre Aveline the Elder. Paris, 1656-1722.
View and perspective of the hexagonal pond of Chalais and the Orangery of the Chateau of Meudon. Delineavit and etcher: Pierre Aveline, the Elder. Plate size: 21,7x31 cm. It is mounted on paper at an early date. It has some restoration on the bottom left-hand corner that can be seen in the picture. It slightly affects the image.

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Engraver	Pierre Aveline
Artist	Pierre Aveline

'Veüe et perspective de la Gran Piece d´Eau et de l´Orangerie du Chateau de Meudon'. It was engraved by Pierre-Alexandre Aveline (c.1656 -1722), who was also a print publisher and seller. He probably trained with Adam Pérelle and, like him, specialized in topographic representations. He produced many views of Paris and of provincial, European and African cities, mixing etching and line engraving. In 1685 he obtained a royal license for ten years, authorizing him to reproduce views of royal residences.