Two Grooms with Whip and Horse - Soft-Ground Etching after G. Morland - 1801
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  • Two Grooms with Whip and Horse - Soft-Ground Etching after G. Morland - 1801

Two Grooms with Whip and Horse - Soft-Ground Etching after G. Morland - 1801

€500.00
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Equestrian intaglio from drawing book. Artist: after George Morland (1763-1804). Description: Sheet from a drawing book with two studies, a man in a smock holding a whip at left; at right another holding the reins of a horse. Technique: crayon-manner (this term is a variety of intaglio printmaking that uses specially-designed tools to build on the copper a facsimile of a crayon drawing). Production date: 1801. Published by: John Peter Thompson in London. Size: Medidas:41x55,5 cms. Condition: two tears on upper margin which were "repaired" with acidic tape many years ago, causing acid burn. Paper crumpled.
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Excellent original print after drawings by the important English painter George Morland (1763-1804), published on 3 January 1801 by John P. Thompson, Great Newport Street, London. Two figure studies share the same sheet: on the left, a young groom in a countryman's smock holding a long whip; on the right, another groom, also in a smock, holding a horse by the reins and a crop in his other hand.

Morland was one of the great painters of English rural life, and his studies of grooms, country folk and animals were widely circulated in print. This one is etched in the crayon manner, with the characteristic grain of soft-ground etching, which faithfully reproduces the stroke of the drawing. Each composition is signed in the plate "G. Morland", and the publication line appears in the lower margin.

Medium: Soft-ground etching (crayon manner), signed in the plate.
Artist / after: George Morland (1763-1804).
Date: 1801.
Source: Published by John P. Thompson, Great Newport Street, London.
Dimensions: 16.1 x 21.9 in (41 x 55.5 cm).
Condition: Two stains at the top of the sheet, remains of old adhesive tape at the edge; paper with light creasing and wrinkles, more visible on the back, light toning and a few small spots; wide margins.

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